Vis Viva – Chapter 2 No Man

“No man is an iland intire of it’ selfe:
Every man is a peece of the continent;”


John Donne, Meditation XVII from Devotions Upon Emergent Occasions.

So then what happened to this organism called Eric and why is he writing this, his own personal Chautauqua? His motives for this are not clear. Nor yet are his natures for there are many of these. All that he has told me is that there is in him a pressing need to express, to find a way to describe what was and is a most interesting path through life and onwards.

“It all started with Jason Bourne.” He tells me this is as good a point as any, from which to start. When Jason, after he realises the nature of what he has gotten himself into, refuses to submit to the programme he is forced, trained as an assassin and begins his missions. When asked to kill a man in front of his children something of the David Webb in him resurfaces, he botches the mission and is nearly killed as a result. He is then quite literally adrift on the sea of life not knowing who or what he is, with but a few clues to his past and a fog of amnesia surrounding him. He goes back to look at all the places and the people he once knew, trying to piece together what has happened.

Metaphor then is what it says on the tin, it is a transfer by linguistic connivance; a transfer from another reality or world into this one. It presupposes that this one is common. Of course it isn’t, yet it might be. In the use of metaphor Eric reckons that one can get a flavour or a taste of what he is trying to say and hint at the depths of the other worlds’ journey to Annwn in search of Awen, the inspiration of the vis viva. The breath which breathes life into all things, the breath that comes on the four winds and the moods they bear with them upon their shoulders, sometimes lightly and sometimes not. The Chautauqua then, is the search for a personal sense of Jesus, that sense of the divine potential incarnate in us all; where we are our own personal saviour, a sangraal quest for our inner being; the sense of at-one-ment with the world around us and perhaps the non mundane.

Eric came upon something quite by accident when he was a young man, caught up in all the hedonism of student life. It was a series of books starting for him with “The Journey to Ixtlan” written by Carlos Castaneda and so he heard of this thing called “the Warrior’s path”. He was rather taken by this series of books and read them all with a zeal, he was later to become famous for. When he talked about them with his flat mates it was rather clear that he had taken them seriously and they hadn’t. Something funny was going on and that year he was rather ill with many fevers. But he could not pretend he hadn’t heard, because he had. He did not know what he had heard but it was, something.

He got his degree and went on to study for a Ph.D. in chemical physics or “pissing about with lasers” as he liked to call it. The solitude of dark laboratories, expensive toys and the beauty of pure, coherent light, brought him much joy. After a while he twigged that he was pretty good at all this, he understood the theories and could make a laser sing. When he stood up to talk about his work, people listened, they even published his papers in scientific journals, what a hoot!

Later, when Eric went back to his school in Gloucestershire and walked around the sports fields, where he had snuck out during “lock up” to watch the fireworks of Guy Fawke’s night, made dangerous, secret, trips “out of bounds” for walnuts and ran and ran and ran. How many times had he done rounds as punishment? How great was that slip-slap-slip of his feet in rhythm with his breath. This was where it all began; one of his Jason Bourne moments, and it was at the hand of a well meaning man who in one sentence and in one act changed a life.

Eric had not settled in boarding school, his school work was messy and erratic reflecting his inner turmoil and his struggles to survive. Finally now at the age of 12 he sat his common entrance examination, though for him it was really another mock as he was due to be in the scholarship class next year. And there it was, on the English paper; write an essay inspired by any of the following. He chose:

“No man is an iland intire of it’ selfe:
Every man is a peece of the continent;”


John Donne, Meditation XVII from Devotions Upon Emergent Occasions.


There it was his first quay off, off from the day to day and into the palace of dreams, it was the febrile stuff of a doorway into his inner world, shimmering, veil like, in the wind of his existence. There is someone else, after all, who had something of him.

Eric for once let it all go; he expressed all his inner loneliness drifting in a coracle from that Cape Town harbour, abandoned under the stars of the Southern Cross and without hope, until there, on the horizon was the first light of day. The master marked his essay and wrote of the poetry in Eric’s soul on his report card and then he did it. He read it out in assembly.

No man would write like that would they? After all the bullying on his sexuality, that was it, proof and in front of the whole school. There it was, never, never, never let it go again. How very attractive the science classes were after that. How easily he gained marks and passed the exams.

Eric says that it was a life that had two potentialities severed by a choice that was not really his, circumstance made it and his parents were now happy. His Nan though, was so proud of that comment, a poet in the family! When Eric saw the report card quite recently he could still smell the ink, a dark vivid blue, Parker’s Quink, written with a sloping italic nib. He experienced the same fear as he had done thirty years before. Eric had been here, here with the musty thin report book, charting his progress. He had held that book many, many times. Now though he could read between the lines, written by the teachers, having written many such things himself.

This was a node in his life, one of many. That world so precious and private to him had been taken out and with the best intentions, thrashed in public. Eric began to blend and here the chameleon was truly born. The twin Gods of should and ought began to take their hold on his psyche and he became the best sportsman he could be and the best scientist. He still did languages but kept them tight on a rein. He needed the marks for his exams.

Still and even on days like today when the rain caresses the ground he can remember the other country where people can be who they are; and all those water bottle windows gazed through; day dreaming in the foothills of that other country; the one that seems so far yet so close. And, again the window ledge is just wide enough to sit on, waiting for his parents who never came to rescue him. They weren’t of that other country so how could they possibly know what it was like. Nor was anyone it would appear.


I vow to thee, my country, all earthly things above,
Entire and whole and perfect, the service of my love:
The love that asks no question, the love that stands the test,
That lays upon the altar the dearest and the best;
The love that never falters, the love that pays the price,
The love that makes undaunted the final sacrifice.

And there’s another country, I’ve heard of long ago,
Most dear to them that love her, most great to them that know;
We may not count her armies, we may not see her King;
Her fortress is a faithful heart, her pride is suffering;
And soul by soul and silently her shining bounds increase,
And her ways are ways of gentleness and all her paths are peace.


I Vow to Thee My Country, Sir Cecil A. Spring-Rice, 1918.


And that search for the other country was to continue for many years to come, always resident and poignant in his heart. Ready and fresh in his dreams yet as secret and as encrypted as it was possible to be. Buried deep within the layers of ice, the ice of a thousand tears cried in a silence of a song unsung and unspoken. No one knew what he thought and that gave him a sense of power. There, no one could harm him. There he was safe and he didn’t have to trust anyone.

When they let him read the lessons and the prayers he was very happy. Deep within him then the sense of the sacred was sanctuary and he did not mind that the others had their parents with them and that his were five thousand miles away. He and all the other expat boys got to ring the bells too!


Seigneur, faites de moi un instrument de Votre paix.
Là où il y a de la haine, que je mette l’amour.
Là où il y a l’offense, que je mette le pardon.
Là où il y a la discorde, que je mette l’union.
Là où il y a l’erreur, que je mette la vérité.
Là où il y a le doute, que je mette la foi.
Là où il y a le désespoir, que je mette l’espérance.
Là où il y a les ténèbres, que je mette Votre lumière.
Là où il y a la tristesse, que je mette la joie.

Ô Maître, que je ne cherche pas tant à être consolé qu’à consoler, à être compris qu’à comprendre, à être aimé qu’à aimer, car c’est en donnant qu’on reçoit, c’est en s’oubliant qu’on trouve, c’est en pardonnant qu’on est pardonné, c’est en mourant qu’on ressuscite à l’éternelle vie.

Par Saint François d’Assise


Later in life it was another rose that sneaked into his life and turned partially in the mortice to release the first seeds of an efflorescence that was to take him deep into Annwn and Awen; there again to offer him the proof that he was different and yet ultimately, the same.

Eric tells me that until you have been touched by the fingers of death there is no real concept of life. That you cannot begin to conceive life itself and that living is more of a going through the motions of existence. There is no fecundity in living and the organism which is the vehicle remains only partially awake, until the organising indwelling thing catches the breath of the vis viva and is inspired. Before this can happen the form side of life needs tended. The weeds and brambles that adorn the island of existence are pruned and hacked back; all that is unwanted is bagged up and taken to the re-cycling centre. Only then can the form side of life settle in the sea of floating things and allow creativity to stream forth un-abated. And it is the fingers of death that encourage the danse macabre of transformation, for it is only in the theatre of death that man can see his true script for this, his sojourn on the stage, where he is player for us all.

Eric says that he is lucky in that death has touched him three times now, and that the archetype of le mort should be welcome as it brings with it true change, for only then can man touch the very outer limits of his potential and truly, dance the edge. It is the universe’s way of showing the glory of incarnation and if we chose to see it, the pettiness of our doings and the darkness, which is so very often of our own making.

That island is crammed full with stuff, thoughts, should and ought. Filled with words that are not ours, choc-a-bloc with ideas put there by others, aspirations and ideals that have precious little to do with you; a veritable Shinjuku station at rush hour in time lapse photography where wave after wave of gripes and moans chant the koans of consumerism; the must have and the “if only” of the realms of the hungry ghosts.

“You know that people are rarely truly silent.” He says.

“True silence is what people fear the most. There and then, is the no-thing-ness of existence and it is primordial. It is before and will be after us and that is where the creative power of the void can be found, echoing out the very first sound into the darkness of manifestation; a single word which breaks the silence. It is this connectivity with the in-finite that man fears, insisting that it is only he and his island. He is lost in the sea of life, that he is one and has already separated from the zero.”

Eric likes to call the organising thing that animates the form the power within, as all the other words are now second hand. He distinguishes between the power within and the power without for clarity only. They are all part of the same awareness. He says that this distinction is a hangover from his sense of individuating identity and helps keep him sane, allowing him to tell all the stories that other people like so that they don’t panic or think him odd.

He says we all have a power within and it is the vis viva that animates this potential within us so that it incarnates. The one life chooses an aspect of awareness to materialise into form. This manifestation has an impact, it slows things down so that awareness becomes dream-like and foggy. It is just that so many people like the dream so much they aren’t willing to stop the world and wake up in the dream. The matrix of existence is so full of clamour and glamour that it straps people into a sense of reality that isn’t really there in the sea of the floating things. The folly of permanence and the arrow of time exclude the magic of being; after all we are all counter entropic beings are we not?

The incarnate matrix of existence has its stories and rules, by focusing intent upon their maintenance the world conspires to limit the potentialities to physical plane function whilst the organism and its thoughts keep the power within at bay with the brouhaha of social interaction and the relentless mind numbing noise of mass media and marketing. The voice of the power within remains unheard and talked over by the internal dialogue, often externalised, that convinces itself, at least partially, that the world of illusion is all that there is. This then is the sleight of hand that tells us we should be interested in what Manchester United are doing and whether of not Jennifer Anniston has found Mr Right; a sleight of hand that distracts us from perhaps our true purpose which is maybe, just maybe understanding the meaning behind why the vis viva animated the power within to incarnate so as to gain knowledge through physical plane existence and the challenges inherent in that.

Eric says that the irony is we dreamed this world into being yet most of us don’t even remember doing it and insist that this dream is real. Eric says that people have told him that he is a pretty powerful dreamer and he has no evidence to prove otherwise. He knows that for ten years of his life he did his very best to kill all of his dreams, he numbed them with chemicals and beer so that they would not speak to him at night. He says that coma is a good way to do this. The power within was wise to this and set him up with that visit to Negril, it had been silenced for too long and the sleeper must awaken. Eric didn’t realise it but he was in for a pretty rough ride after that.

Dharma of the Day #10 {opening like a lotus}

The little surprises of life

Are the bounty

With which the universe

Sweetens

When things seem hard

The Dao sends us flowers

For us to inhale

Fragrant

Amidst all the hubris

Petals fall cadent

Upon the breeze

Lightness

Wait only for the flute

And its subtle keys

It caresses your being

Listening

When your spirit flags

It is your salve

And your nectar

Soothing

Let the cosmos

Be your nurse

And your healer

Starlight

Open your palms

And take your alms

Humble and secure

Belonging

To find your place

Which always awaits

A monkey puzzle

Pendant

To ease back on tension

And to trust

Abandon to your Soul

Willingly

Then like a leaf in a stream

You can eddy

And dance the currents

Free

Have no fear of weirs

They are man made

Rivers know so much more

Wisdom

Journey always

With open heart

For it has a succour

Most subtle

Be as fluid as now

And do this often

A silken scarf, blowing

No aim

Ease off those shoulders

Breathe in and out

Especially out

Exhale

Now find your most

Authentic centre

And become, truly

A Star!!

He loved too much

There once was a man who loved too much
So much that it broke his heart
He saw it pulsing on the floor
A fish, a goldfish, sprung from the bowl
And so,…. so very, out of water.

So that fish cried and cried and cried 
Such that it could live
And in the wetness of its tears
It breathed again
Sanguine and bloody, at the sorrows of the world

As each blood drop fell into the ditch of human will

He dreamed the seed of becoming
As vital sap oozed on land
To fertilize earth and mind
He bled tears of deepest red

And this fish was suffocated by pillow mind

Pressed against to stifle and subdue
Feeling the feathers harsh against THE word
Lest comfort might condition the fabric of life
Numb, numb and numb as a cocaine filled nose.

And in his padded cell

He wonders at the prurient wisdom of all
Lock him away
Silence him
And then, we can all get on with our lives.

Then we will be happy

Then no more challenge
Then peace and satisfaction
Then, not a lot
Then justification and mind

Then no heart

Then only regret and sorrow

Then….


And as the Gaoler came to lock him away they all sighed with relief.

Then…


And what NOW????

Vis viva – a journey to Sirius

Vis viva – a journey to Sirius

 

Eric Rhosynglas

——————

Frontispiece

The prophet is not diverted by illusions of past, present and future. The fixity of language determines such linear distinctions. Prophets hold a key to the lock in language. The mechanical image remains only an image to them. This is not a mechanical universe. The linear progression of events is imposed by the observer. Cause and effect? That’s not it at all. The prophet utters fateful words. You glimpse a thing “destined to occur”. But the prophetic instant releases something of infinite portent and power. The universe undergoes a ghostly shift. The wise prophet conceals actuality behind shimmering labels. The uninitiated then believe the prophetic language is ambiguous. The listener distrusts the prophetic messenger. Instinct tells you how the utterance blunts the power of such words. The best prophets lead you up to the curtain and let you peer through it yourself.

– The Stolen Journals [1]

Frank Herbert “God Emperor of Dune” Gollancz,, Orion Publishing, London. Page 297 ISBN 0 575 07506 6

——————————–
Preface

As they say, “Every journey begins with a single step!”

I am heretic, a heretic to the church of reason. Though it was there that I began my genesis, there I found nemesis and where, I no longer belong.

This very morning as I mulled over koans and Leibniz, Lao Tzu and Newton, I stepped out of my front door. I looked down at our beautiful garden, now partially tamed and resplendent in the spring-ness of spring. Two beautiful white gulls flew overhead filling me with peace. I, yes I, had to return to the source and for me at least a part of the source of all this, is the second law of thermodynamics and that fate full night on a beach in Negril.

Over the last few days I have been waiting on a image from a lady in Australia to arrive and yesterday it did; a rose of deepest blue touched by the tears of heaven. This rose will adorn the cover of this book; “Vis viva – a journey to Sirius”.

Later, pondering on whether to start today or tomorrow and looking to clear my head, I took a stroll around the block. The wet earth rich in aroma from yesterday’s rain, the sun shining down on the fields nearby raised my spirits. And, as I paused to smoke on the bench, much as my grandfather had done, gazing out across the valley to Clydach, I saw a black crow chasing a red tailed kite into the sun. I followed them by eye until I could not bear it. I looked away and then only a few seconds later they were no where to be seen. The skies around here are big and there is no place to hide. But they were gone and I knew. I had to begin. It was an omen.

This book is not a book of answers. It is a book of beginnings. In these pages I will hope to outline a way of thinking that strays from the concretised thought patterns so prevalent today and in doing so will set myself up, for as we know, heretics are never welcome at the altar. Each church has for itself a bane of some kind and the bane of the church of reason is, proof. This is the catch 22 of a limited philosophical and dare I say “scientific” study of life. Here I mean science in the sense of knowing and knowledge and not in the sense of what has become the extension of technology which currently masquerades as science. How can I prove anything to you in the absence of a shared context? I cannot. It is only in reference to your knowledge and the veil of perception which is both yours and mine that I can attempt to communicate. In any case it is not things per se that I want to talk about, though of course things will be a part of this discourse. Proof itself is a concept. Proof is not really a reality but more often a mental construct within a thought pattern or collection of thoughts. In a sense proof requires a theory. In the absence of theory proof itself is only a potential construct of the mind which has yet to come into being.

Whether we like it or not the great philosophical, scientific, psychological and religious schools of thought have all influenced how we as mankind behave. They, along with the media, our peers and parents condition us to behave in certain ways. For example if lots of people agree on something then it becomes a truth and a lie told often enough becomes the truth.

Je pense donc je suis or cogito ergo sum, has permeated much of our thoughts and whether intentionally or otherwise has raised thought onto the high altar of existence, there perhaps to challenge the Divine for supremacy in the minds of man. If there is not thought then how can there be existence? Yet life itself is way beyond the scope of man’s petty intellect, it is so much more than that.

I feel therefore I am, is perhaps a better way of putting it. After all and once all that analytical thinking is done, life is much more of a feeling than a thought. Isn’t it?

Or even better still, simply, I am. Existence and life do not require logic or proof. There is no need for because, donc or ergo. At one level there just is.

The invention of these reasoning words pre-supposes a thought pattern upon the nature of communication that limits one in the exploration of being-ness. These words themselves hint at a direct and linear causality in life and constrain, implying the social conditioning inherent in the use of should and ought.

As part of this book I am going to attempt to reclaim some language before I use it. Words by their very nature, veil the truth and explicitly so. They take on a meaning or life of their own as they are used again and again. Certain sub cultures, let’s say for example the physical sciences use words in highly specified circumstance and within definitional frameworks, as such they cannot for them, have a meaning other than their context specific usage. Energy is a classic here. Ask any scientist what energy actually is and they will gloss over the subject calling it a capacity to do work. So what is this capacity that is energy? Does it really exist?

Here then is the beginning of the borders of a Kurukshetra, the Chautauqua of a journey into perception. Written by a man, in his mid forties, who has published in the physical science literature, co-founded a successful high technology spin out company and who was until recently a senior lecturer in chemistry at a top university. This means because of my qualifications that I am an initiate of a certain degree within the school of concrete science, the new religion of mankind.

Please, bear with me on this journey and let’s see how deep the rabbit hole goes.

 

The Puck “Dialogues”

Playing with the notion of Puck and Ariel.

How might they interact?

What might bind them?

———————————————————————-

    “Three Rings for the Elven-kings under the sky,

    Seven for the Dwarf-lords in their halls of stone,

    Nine for Mortal Men doomed to die,

    One for the Dark Lord on his dark throne

    In the Land of Mordor where the Shadows lie.

    One Ring to rule them all, One Ring to find them,

    One Ring to bring them all and in the darkness bind them

    In the Land of Mordor where the Shadows lie.”

 

    —J.R.R. Tolkien’s epigraph to The Lord of the Rings

 

———————————————————————-

Hail fellow well met!!

 

and to you Ariel my wingèd friend.

 

Whence goest thou, this fell and chill night?

 

I know not for all ways are now closed,

each that have tried hast not fruit to bear

nor purpose, nor traction, nor good cheer

 

Puck, what then wilt thou do?

 

Sure as know knot am I tied,

for there are rivers twice

that seek me yet

to fish me with their

carper’s net

 

One says must stay and fight

and yet

grey haven’s beckon

 

course is not

not, ready set

 

One of old

and one of new

both the two

from ages fast

invite me

to take repast

 

Which flavour of fate do you favour now?

 

Shall seek a sign

fore tear this skein

to look wherein

how lies the wine

 

 And those shadows pull they still?

 

A shimmer of a Christmas past

has sought my mind

these several hours last

 

A tendril of

a yore gone by

hast segued again

before my eye

 

What Puck then, does it mean?

 

Material ‘ tis it not

and vane

will show

unto me

 

from time hence,

where

the wind doth blow.

 

Perhaps to don the corsair’s shirt

and sail again on mystic tide?

 

Canst I come too

on this final ride?

 

Ariel would seem my words

are all now nearly spent

and sure as toffee

won’t pay the rent

 

With naught to do

and less to say

seems my purpose

has gone away

 

North then of the hindu Kush

call they to I

to drink of tea

with mountains fair

to espy

 

For to be liked

‘mongst like

sure, strong it pulls

 

And deep the night

have I wandered here

midst mortal man

 

Seems was always

part the plan

 

What roads then left to tread?

For your words call up in me

a sense of dread

 

Dread not sprite and friend of mine

each has his allotted time

signs they are, as yet unclear

so be hearty and not fear.

 

Art though lost then Robin?

 

No am waiting for

a cube of chance

to appear

 

For cubes as such

have many spots

and their roll

reveals our lot

 

Must the wait be so very long?

 

Yes man, that is the theme of my song

it  echoes now in silent glen

for belong I not

amongst these men.

 

Hast you lost all your sight?

 

Blind am I

with

no more dreams at

night

 

No lamp, no candle

 shows me the mortice lock

‘pon the door which

must I ever,  knock

 

Nor have I vision

many more,

nothing seen

no music score

 

What notes could e’er

refrain

without the rails

them to contain?

 

Where does the rhythm beat

if not held in tempo

by the heart’s vital seat

 

There, where sleeps the Soul

no more

and cause of that

I have no core

 

Oh Robin is all

then lost?

 

Nay my friend

have bargained

for this cost

 

Planned have I

through hill and dale

fear not I

to pierce the final veil

 

Let’s then this autumn night

gather wood

to warm with

fire and  light

 

Take off our woollen mitts

and finger flames

‘till ice is gone

 

for soon enough

the dawn will come

 

Hark now Puck

those are some letters

I  hear them well

and cut these deathly fetters

 

Have I with me

a warming brew

made with wine

and brandy too

 

To heat the very toes

deep within

 the leather shoe

 

Aye, Ariel my faithful friend

shiver not this darkened hour

within this

 our most temporary

of bower.

 

Salut Puck!!

 

Salut…

 

 

 

Sam Gates of the Red Berets

It was five thirty in the morning when the alarm went off and Sam reached wearily over the ashtray to turn it off.  Christ he felt like crap this morning. Coughing he reached for his Marlboros and lit one. The acrid smoke hit the back of his throat and he coughed some more. Slowly he made his way through the first of the day, pausing to spit into a tissue. He didn’t remember going to bed last night and hoped he hadn’t done anything too stupid. In the front room he saw the empty crisp packets and cans of Stella. So that was where all his dole money had gone. It had been years since he left the paratroop regiment, the shrapnel in his knee still spoke to him of the weather. Here in his tiny little flat there was not much glory anymore.

When the kettle boiled, he made man coffee. It was as strong as an ox and as dark as the night. He sat on his step outside to smell the sea air and smoke some more. A pint or so later he was ready to face the world. There was a job going at Sainsbury’s for security and today he had an interview. Showered, shaved, suited and booted he now set off, wondering what sort of weak chinned school leaver was waiting to condescend him. Monitors are only dangerous to sanity he thought, no IEDs in Cardiff, well not yet at least. He wondered if he could cope with the inevitable bleep as the barcodes scanned the sheep through the tills, how long could he stay before he lost it? Strange, how it had all come to this. If only he had kept quiet.  Para Gates had gone beyond and when he came back he was changed.

Here in this plain part of the universe, he was an unemployed ex-soldier scrimping to make ends meet. When he had the money he slept with Stella and with Becks, otherwise it was Special Brew. These kept his world intact and helped him cope with the Double in him, his other self.  As he pulled into the car park, it was already busy, all buggies, died hair and fake tan. Round the back he found the entrance and reported in.

“You are a little early Mr Gates, please take a seat.   Please can we see your passport so that we can satisfy the UK Border agency requirements…..”

He handed his passport over and wondered about garrotting that boy, thinking to himself as the lad turned; “Pull up your trousers and get a haircut!!”

He looked at the date on his watch, today is a full moon and that meant much to him. He would go later to Nash Point to soak in the sea and the sound of the Atlantic, and the Irish Sea. At this time of year and at midweek it will be empty.

As he sat there listening to that clock click its fingers of eternity, the smell of the place filled his nostrils. Not one ounce of hope here, no excitement only day after day. The carpet was a little tatty and frayed at the edges. The youth had disappeared behind some screen and he could hear the strident early morning gossip from the office beyond. He didn’t care who had been on the X Factor or who had been un-friend-ed on Facebook™.  Soon he knew he had been forgotten and he started to drift.

First he felt that hint of incense on the air and then clear clean mountain air. Next, sinking into himself he began;

“gate, gate, para gate, para samgate… gate, gate, para gate, para samgate, Bodhi svaha”

A little off the main causeway to the stars in the land of Buddhi he saw the Temple steps cut into the mountain side. They were waiting for him. Now dressed in his robes and with his vajra and bell he began the procession up the hillside. They gathered in their hundreds. In file they climbed the stairway and poured into the Temple courtyard. Chanting purification he led them on. In the courtyard he paused until they all were there. Together they looked south to the snow capped Himalaya resplendent in the dazzling morning sun. When they were ready the doors to the outer chamber opened and they filed in. Some sat on mats where they belonged, few stood still. And then he moved to the white febrile door carved intricate and ivory. He opened the door and there on the dais sat Kumara and the three Buddhas. 

He brought his palms together and inclined his head in a bow. He touched his thumbs to his ajna, his mouth and his heart, Bodhi, mind and Spirit. He moved into that august place, others following him. Some took their places in the seats on the right and the left. He went forward to stand before. There in his white, white robes, he showered in the pillar of light. 

“Sit now where you belong, oh blessed one…”

The service continued all around him and when the time was right he began again, as was his custom.

“gate, gate, para gate, para samgate… gate, gate, para gate, para samgate, Bodhi svaha”

Soon the white room, his in that ineffable place, set aside from the main Temple complex, began to take shape. It was in a quiet part just to the side of the main rose garden. Soon he was in his foyer next to the marble wash basin. He washed his hands and walked past his little armoury into his room. It was just as he had remembered it, his piano, the flowers and his sleeping quarters. The windows at the end letting the light warm the tiled floor. He must dress now. His tunic white fitted snug over his mail and the blood red cross brilliant on his chest. From the cabinet he took his sword and scabbard, belting them on; he picked up his spear and held it left. Now he was ready.

He made his way into the complex. In the corridors he met Cederic his aide and batman. They embraced and hugged. Cederic’s face still bore the marks of many a campaign and so many times had they stood back to back. Cederic too wore the rosy cross and sword. Today they would meet again, the council of nine.

At that table seven were already sat with Noh at the head, our very own Gandalf the White. No one knows His name but His magnificence speaks enough, whiter than white with eyes that sparkle like nebulae. Now all seated the meeting begins.

When they were done and roles assigned it began. Down the chiselled stone corridors he and Cederic went to the antechamber door, carved of darkest wood with the crossed sword and spear emboldened out of it. The door opens and ahead is the simple altar clothed in white and crossed in red.  Before it he and Cederic halted again clasping palms together, thence to touch Bodhi, mind and Spirit. Genuflecting each drew out his sword and lay them on the floor before the altar, there to prostrate. Replacing swords in scabbards they move forward into the first hall. Together they draw and raise swords skywards. The blue flame of the One Power is virulent in the partial darkness shimmering along the length of the blades and dancing like serpents.

“Fey-da-yin! Fey-da-yin! Fey-da-yin!”

He calls into the darkness and slowly robed and hooded in grey, figures emerge out of the darkness, called to fulfil an aeonial oath.

 “Fey-da-yin! Fey-da-yin! Fey-da-yin!”

The figures now congregate and as he stabs the air a host of swords join theirs to create a spark fantastic which illuminates the cavern. They come from all the bands, scattered across the universe. They come to the call of Fey-da-yin.

Collected now behind him they file into the next chamber, huge and vaulted with stall seats all around its circle circumference. Each of the grey joins his fellows and soon this room too is filled. Their numbers now are much, much larger and the place is filled with murmur and greetings.  Cederic is now seated.

He lays down the spear, touches hands together as before and prostrates. He stands holding the spear in his left hand and he cries out again:

“Fey-da-yin! Fey-da-yin! Fey-da-yin!”

The spear head now diamond bright with utter radiance illuminates the many. All around blades are drawn and raised and voices join;

“Fey-da-yin! Fey-da-yin! Fey-da-yin!”

Now we are ready.

In procession they march into the vast, vast Temple proper. At the front are the seven sitting behind the altar. He and Cederic take stage in front of the altar and before the crowd. On that marble slab lies only a single yellow rose still fresh with the morning dew.

Noh stands and approaches the altar, he turns and hands the spear to Noh’s open palms. He bows and turns on his heels to join Cederic. Together they stand side by side. As one they draw and raise The Swords of Power they show them to the crowd and call out into the cavernous expanse;

 “Atl’aman, Atl’aman, Atl’aman!!”

They parade The Swords a while and then re-sheath them. Cederic takes his seat on the side of the stage. He turns to the altar and bowing receives the Spear from Noh. He turns and raises The Spear of Destiny aloft, a point of brilliance, blue-white diamonds sparkle from it and he again calls;

“Atl’aman, Atl’aman, Atl’aman!!”

walking around the stage as he does so.

When the time is right Cederic joins him and alone the two of them file out that place the way they had come. The hush envelopes them and only their steps can be heard resounding. Now they are in the corridor and alone together.

“Mr Gates, Mr Sam Gates?” he hears a voice calling. He opens his eyes.

“Mr Gates?”

“Yes, that is me..”

“I am sorry but Mr Jones, the manager, has told me that the interviews today are cancelled. We are not taking on any more staff. It’s the recession you see. Here is your passport and thank you for coming…”

He steps outside that chamber and into the fresh morning air. He lights a Marlboro and inhales. Oh well, at least he can go to Nash Point this afternoon and after that, buy some Special Brew to help him sleep and numb him for the evening’s telly.

 

Anansi – Kombo and Kinyonga

I have been struggling all day to remember the name of our “houseboy”, it was Spider, Anansi. My dad helped him become a member of the local council, he was of pygmy stock and had migrated from the Congo.

——————–

Anansi (/əˈnɑːnsi/ ə-NAHN-see literally mean spider) is an Akan folktale character. He often takes the shape of a spider and is sometimes considered to be a god of all knowledge of stories. Taking the role of trickster, he is also one of the most important characters of West African, African American and Caribbean folklore. Originating in West Africa, these spider tales were transmitted to the Caribbean by way of the transatlantic slave trade.[1] Anansi is most well known for his ability to outsmart and triumph over more powerful opponents through his use of cunning, creativity and wit.[2] Despite taking on the role of the trickster, Anansi’s actions and parables often carry him as protagonist due to his ability to transform his apparent weaknesses into virtues.[2] He is among several West African tricksters including Br’er Rabbit and Leuk Rabbit.

————————————————

Kombo and Kinyonga

“I see you Kombo

Daughter of the African sunset

That burns its majesty on the land

And paints the end of the day

May your gentle eyes see deep in the darkness of the night.”

 

“I see you Kinyonga

Son of the African dawn

That wakes the day with the hush of expectancy

And lifts the shadows of the magic night

May your gentle steps and brilliant colour rejoice the day.”

 

“As we cling to the tree

These changing times

What shall we do?”

 

“Let’s call Anansi and listen to his tales

For he speaks in many, many ways.”

 “Anansi, come and regale us, as the crack between the worlds deepens and the cicadas pluck their violins as the night takes its hold…….”

 I tell you a story of a mouse from another land. Harmony was his name and he was born in discord with the spirit of life. He was born in a land of mist and rain, where voices sang to the heavens and the struggle to live marked every soul and the deep memory of the race knew that this had not always been so.

 At the splitting of his birth they gave him a collectors sack so that he could piece the notes together and sing, as he was meant to.

 As Harmony grew he ran hear and there, all bristling whiskers sniffing the air. They took him across the world to feel the lands where the dreamtime lived and showed him the rainbow serpent’s footsteps on the land; to wake the memory beyond the form and stir the cauldron of his inspiration. They brought him here to show the smoke that thunders and the bushman caves, to mark the river’s crocodile path and teach him lessons for later years. Then he went home. And he forgot.

 On a hot summer night in a far off land he heard the spirit knock and watched the majesty of the Blue mountain’s glory dawn.

 And he forgot.

 Harmony became ill and wanted to die. A mouse is just a mouse he said. So one fateful night he felt his death breathe softly on the hairs of his neck. He scurried home and found in the dusty cobwebs of his heart his collectors sack. So he began again in earnest to seek and to find.

 From then on he counted all the moons, the ones that shone the change upon him. The mighty Wizard became his friend and he learned and he learned. He searched for the harbour of his youth and went there back, to the Southern Cape and in the mountains of beyond, it all went wrong. Seared by the Southern sky he began to die.

 Back in the land of mist and rain, he crossed a bridge never to return, now collecting in a different way. For now his bag was a bag of dreams. As he passed with-in all was changed in the fire of birth. The mouse became a man and he stood all, all alone.

For now the song was in him and he began to sing. On, a birthday dawn he saw the sun of Sinai’s flaming brush that painted him back.

 He searched again for the Wizard in a heather land, of lochs and castles in the air. Yet for him, he was not there. So he danced in the morning when the world was begun, and he danced in the evening with the setting sun. As he howled at the moon, he knew the freedom of the Wolf and the twinkle of a far off star. His howl resonated with the birth of all the worlds and tickled the hairs that were touched by death’s softest breath.

 And the only remnant of what was, is, the hint of pink in his eyes.